“The truth is that creative activity is one that involves the entire self—our emotions, our levels of energy, our characters, and our minds. To make a discovery, to invent something that connects with the public, to fashion a work of art that is meaningful, inevitably requires time and effort. This often entails years of experimentation, various setbacks and failures, and the need to maintain a high level of focus. You must have patience and faith that what you are doing will yield something important.”
Robert Greene, The Daily Laws (Page 29)
“There’s a better cause right around the corner. It might not work. You’ll never be able to keep all the promises. It can’t last forever. We’re all going to die. It’s not perfect. Someone might steal your idea. There will be critics. You’re not ready. Someone else is going to do it. It’s not that important. It might not work. On the other hand… Now is better than later, and perfect is an illusion. Act as if. Simply begin. Make things better by making better things. You can always improve it later.”
Seth Godin, Blog
“Being an artist is not for the faint of heart. It involves a lot of risk-taking, a lot of bravery, and a lot of not subscribing nor giving a fuck about what others think. We dance around uncertainties, the unknown, and the extraordinary every single day. But we live our lives based on a feeling, a vision, some voice telling us to paint it, write it, draw it, tell it, dance it, act it. We make worlds so others can see, tell stories so others can learn how to speak, dance and make music so people can learn how to hear, capture moments so people can see the unseen, paint colors and share emotions so people can learn how to express, create alternate universes so people can wake up to all the possibilities they haven’t afforded for themselves. Don’t go into the arts, they’ll say. But without creativity and art – the living are just walking half dead.”
Stephanie Dandan, Blog
“It is always what is under pressure in us, especially under pressure of concealment—that explodes in poetry.”
Adrienne Rich, Between Two Kingdoms (Page 115)
A Short Story About Frida Kahlo And The Unexpected Gifts Pain Can Provide [Excerpt]
![A Short Story About Frida Kahlo And The Unexpected Gifts Pain Can Provide [Excerpt]](https://movemequotes.com/wp-content/uploads/2021/11/Frida-Kahlo-930x620.jpeg)
Excerpt: Pain is inevitable. How we channel pain, however, is a choice. This short story about Frida Kahlo will show you the gifts pain can provide.
Read More »A Short Story About Frida Kahlo And The Unexpected Gifts Pain Can Provide [Excerpt]
“Art is the method of levitation, in order to separate one’s self from enslavement by the earth.”
Anaïs Nin, via Sunbeams (Page 137)
“Artistic growth is, more than it is anything else, a refining of the sense of truthfulness. The stupid believe that to be truthful is easy; only the artist, the great artist, knows how difficult it is.”
Willa Cather, via Sunbeams (Page 135)
“It is more worthy in the eyes of God… if a writer makes three pages sharp and funny about the lives of geese than to make three hundred fat and flabby about God or the American people.”
Garrison Keillor, via Sunbeams (Page 134)
“Over the years, I’ve learned that the first idea you have is irrelevant. It’s just a catalyst for you to get started. Then you figure out what’s wrong with it and you go through phases of denial, panic, regret. And then you finally have a better idea and the second idea is always the important one.”
Arthur van Hoff, Founders at Work
“The difference between the neurotic and the creative is that the neurotic is precisely the one who cannot create. He cannot marshal a response. Both the artist and the neurotic are really sensitive. They both are overwhelmed by the world. They both take in the world and are wrestling with the world. But, the artist takes that in and reworks it into an active work project—there is kind of a feedback loop, a circularity. There’s a response that says, ‘I am here. I felt this. And it matters.’ And it is in the ability to respond to that experience that solicits a kind of exorcism that frees you from your demons. The neurotic cannot do that. So he chokes on his introversions.”
Jason Silva, via Aubrey Marcus Podcast
“Whatever humble art you practice: Are you sure you’re making time for it? Are you loving what you do enough to make the time? Can you trust that if you put in the effort, the rest will take care of itself? Because it will. Love the craft, be the craftsman.”
Ryan Holiday, The Daily Stoic (Page 207)
“You don’t need a better computer to become a writer. You don’t need a better guitar to become a musician. You don’t need a better camera to become a photographer. What you need is to get to work.”
James Clear, Blog
“As far as the writing itself is concerned it takes next to no time at all. Much too much is written every day of our lives. We are overwhelmed by it. But when at times we see through the welter of evasive or interested patter, when by chance we penetrate to some moving detail of a life, there is always time to bang out a few pages. The thing isn’t to find the time for it—we waste hours every day doing absolutely nothing at all—the difficulty is to catch the evasive life of the thing, to phrase the words in such a way that stereotype will yield a moment of insight. This is where the difficulty lies. We are lucky when that underground current can be tapped and the secret spring of all our lives will send up its pure water. It seldom happens. A thousand trivialities push themselves to the front, our lying habits of everyday speech and thought are foremost, telling us that that is what ‘they’ want to hear. Tell them something else.”
William Carlos Williams, via Sunbeams (Page 107)
“We cannot predict the value our work will provide to the world. That’s fine. It is not our job to judge our own work. It is our job to create it, to pour ourselves into it, and to master our craft as best we can.”
James Clear, Blog
“Rather than believing they [successful innovators] have to start with a big idea or plan out a whole project in advance, they make a methodical series of little bets about what might be a good direction, learning critical information from lots of little failures and from small but significant wins. This rapid and frequent feedback allows them to find unexpected avenues and arrive at extraordinary outcomes.”
Peter Sims, Little Bets, via So Good They Can’t Ignore You (Page 178)
“All of us who do creative work… you get into this thing, and there’s like a ‘gap.’ What you’re making isn’t so good, okay?… It’s trying to be good but… it’s just not that great. The key thing is to force yourself through the work, force the skills to come; that’s the hardest phase.”
Ira Glass, via So Good They Can’t Ignore You (Page 47)