Skip to content

    “We fell asleep in my childhood bed. We still hadn’t had sex since we got married and as I drifted off, I wondered how I ever could. I couldn’t fathom joy or pleasure or losing myself in a moment ever again. Maybe because it felt wrong, like a betrayal. If I really loved her, I had no right to feel those things again.”

    Michelle Zauner, Crying in H Mart (Page 153)

      “If we always had something to look forward to, we could trick this disease. Not now, cancer, there’s a wedding! And then a tasting in Napa! Then an anniversary, a birthday. Come back when we’re not so busy.”

      Michelle Zauner, Crying in H Mart (Page 145)

        “I knew it was risky to add even more pressure to already tumultuous circumstances, and yet it felt like the perfect way to shed light on the darkest of situations. Instead of mulling over blood thinners and Fentanyl, we could discuss Chiavari chairs and macarons and dress shoes. Instead of bedsores and catheters, it’d be color schemes and updos and shrimp cocktail. Something to fight for, a celebration to look forward to.”

        Michelle Zauner, Crying in H Mart (Page 129)

          “This obsession with my mother’s caloric intake killed my own appetite. Since I’d been in Eugene, I’d lost ten pounds. The little flap of belly my mother always pinched at had disappeared and my hair began to fall out in large chunks in the shower from the stress. In a perverse way I was glad for it. My own weight loss made me feel tied to her. I wanted to embody a physical warning—that if she began to disappear, I would disappear, too.”

          Michelle Zauner, Crying in H Mart (Page 100)

            “I remembered how when I was a child I would slip my cold feet between my mother’s thighs to warm them. How she’d shiver and whisper that she would always suffer to bring me comfort, that that was how you knew someone really loved you. I remembered the boots she’d broken in so that by the time I got them I could go on unbothered, without harm. Now, more than ever, I wished desperately for a way to transfer pain, wished I could prove to my mother just how much I loved her, that I could just crawl into her hospital cot and press my body close enough to absorb her burden. It seemed only fair that life should present such an opportunity to prove one’s filial piety. That the months my mother had been a vessel for me, her organs shifting and cramping together to make room for my existence, and the agony she’d endured upon my exit could be repaid by carrying this pain in her place. The rite of an only daughter. But I could do no more than lie nearby, ready to be her advocate, listening to the slow and steady beeping of machinery, the soft sounds of her breathing in and out.”

            Michelle Zauner, Crying in H Mart (Page 86)

              “Within five years, I lost both my aunt and my mother to cancer. So, when I go to H Mart, I’m not just on the hunt for cuttlefish and three bunches of scallions for a buck; I’m searching for memories. I’m collecting the evidence that the Korean half of my identity didn’t die when they did. H Mart is the bridge that guides me away from the memories that haunt me, of chemo head and skeletal bodies and logging milligrams of hydrocodone. It reminds me of who they were before, beautiful and full of life, wiggling Chang Gu honey-cracker rings on all ten of their fingers, showing me how to suck a Korean grape from its skin and spit out the seeds.”

              Michelle Zauner, Crying in H Mart (Page 11)

                “Sometimes my grief feels as though I’ve been left alone in a room with no doors. Every time I remember that my mother is dead, it feels like I’m colliding with a wall that won’t give. There’s no escape, just a hard surface that I keep ramming into over and over, a reminder of the immutable reality that I will never see her again.”

                Michelle Zauner, Crying in H Mart (Page 6)

                  “My grief comes in waves and is usually triggered by something arbitrary. I can tell you with a straight face what it was like watching my mom’s hair fall out in the bathtub, or about the five weeks I spent sleeping in hospitals, but catch me at H Mart when some kid runs up double-fisting plastic sleeves of ppeongtwigi and I’ll just lose it. Those little rice-cake Frisbees were my childhood, a happier time when Mom was there and we’d crunch away on the Styrofoam-like disks after school, splitting them like packing peanuts that dissolved like sugar on our tongues.”

                  Michelle Zauner, Crying in H Mart (Page 5)

                  Crying In H Mart [Book]

                    Book Overview: In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother’s particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother’s tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. Vivacious and plainspoken, lyrical and honest, Zauner’s voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread.

                    Post(s) Inspired by this Book: