“Art is the method of levitation, in order to separate one’s self from enslavement by the earth.”
Anaïs Nin, via Sunbeams (Page 137)
“Artistic growth is, more than it is anything else, a refining of the sense of truthfulness. The stupid believe that to be truthful is easy; only the artist, the great artist, knows how difficult it is.”
Willa Cather, via Sunbeams (Page 135)
“The difference between the neurotic and the creative is that the neurotic is precisely the one who cannot create. He cannot marshal a response. Both the artist and the neurotic are really sensitive. They both are overwhelmed by the world. They both take in the world and are wrestling with the world. But, the artist takes that in and reworks it into an active work project—there is kind of a feedback loop, a circularity. There’s a response that says, ‘I am here. I felt this. And it matters.’ And it is in the ability to respond to that experience that solicits a kind of exorcism that frees you from your demons. The neurotic cannot do that. So he chokes on his introversions.”
Jason Silva, via Aubrey Marcus Podcast
“All art holds the knowledge that we’re both living and dying at the same time. It can hold it. And thank God it can, because nothing out in the corporate world is going to shine that back to us, but art holds it.”
Marie Howe, via Becoming Wise (Page 148)
“Art is the lie that reveals the truth.”
Pablo Picasso, via Sunbeams (Page 93)
“Where is the fuel to keep us going? Anger gets you only so far, and then it destroys you. Jealousy might get you started, but it will fade. Greed seems like a good idea until you discover that it eliminates all of your joy. The path forward is about curiosity, generosity, and connection. These are the three foundations of art. Art is a tool that gives us the ability to make things better and to create something new on behalf of those who will use it to create the next thing.”
Seth Godin, The Practice (Page 255)
“Ultimately, the goal is to become the best in the world at being you. To bring useful idiosyncrasy to the people you seek to change, and to earn a reputation for what you do and how you do it. The peculiar version of you, your assertions, your art.”
Seth Godin, The Practice (Page 226)
“We have unlimited reasons to hide our work and only one reason to share it: to be of service.”
Seth Godin, The Practice (Page 190)
“A key component of practical empathy is a commitment to not be empathic to everyone. A contemporary painter must ignore the criticism or disdain that comes from someone who’s hoping for a classical still life. The tech innovator has to be okay with leaving behind the laggard who’s still using a VCR. That’s okay, because the work isn’t for them. ‘It’s not for you’ is the unspoken possible companion to ‘Here, I made this.'”
Seth Godin, The Practice (Page 71)
“You can’t really decide to paint a masterpiece. You just have to think hard, work hard, and try to make a painting that you care about. Then, if you’re lucky, your work will find an audience for whom it’s meaningful.”
Susan Kare, The Practice (Page 24)
“One of the problems with art is that it is self-anointing: Anyone can be an artist by simply pointing to themselves and saying so. The truth is that there are very few artists. [Making the world a better place through art] is the highest attainment of the specialization. It is to recognize that it is not all about you, and that you have a communal function you can serve to help everyone get along. This is important for people to understand, especially in a capitalist society.”
Milton Glaser, via The Practice (Page 17)
The Practice: Shipping Creative Work [Book]
Book Overview: Creative work doesn’t come with a guarantee. But there is a pattern to who succeeds and who doesn’t. And engaging in the consistent practice of its pursuit is the best way forward. Based on the breakthrough Akimbo workshop pioneered by legendary author Seth Godin, The Practice will help you get unstuck and find the courage to make and share creative work. Godin insists that writer’s block is a myth, that consistency is far more important than authenticity, and that experiencing the imposter syndrome is a sign that you’re a well-adjusted human. Most of all, he shows you what it takes to turn your passion from a private distraction to a productive contribution, the one you’ve been seeking to share all along. With this book as your guide, you’ll learn to dance with your fear. To take the risks worth taking. And to embrace the empathy required to make work that contributes with authenticity and joy.
Post(s) Inspired by This Book:
Don’t leave your masterpiece unfinished.
(Read Matt’s Blog on this quote)
“Whatever the next thing is I write, it’s got to be even more naked than the last.”
Harold Pinter, via Sunbeams (Page 50)
“Like your bedroom, your writing room should be private, a place where you go to dream. Your schedule—in at about the same time every day, out when your thousand words are on paper or disk—exists in order to habituate yourself, to make yourself ready to dream just as you make yourself ready to sleep by going to bed at roughly the same time each night and following the same ritual as you go. In both writing and sleeping, we learn to be physically still at the same time we are encouraging our minds to unlock from the humdrum rational thinking of our daytime lives. And as your mind and body grow accustomed to a certain amount of sleep each night—six hours, seven, maybe even the recommended eight—so can you train your waking mind to sleep creatively and work out the vividly imagined waking dreams which are successful works of fiction.”
Stephen King, via Daily Rituals (Page 224)