“There is a reason why good wine tastes better in a wine glass than in a plastic cup, or why hot dogs taste better at a picnic than at a sit-down dinner. The right frame complements the contents.”
Philip Toshio Sudo, Zen Guitar (Page 116)
“Yes, there is more than one path to the top of the mountain. But the only one that will get you there is your own. Do not look longingly at the paths of others. Give yours your undivided attention and keep your focus. The farther you go on your own path, the more you will understand every other path. At the end, they all converge.”
Philip Toshio Sudo, Zen Guitar (Page 93)
“Sarcasm is an easy way to amplify feedback. It has two hidden costs: (1) It reveals low status. People with power don’t need to use sarcasm to make a point. If you want to lead with status, using sarcasm undermines that goal. (2) It adds emotion where it’s not always needed. The emotion is an amplifier, but it often causes division and defensiveness. If you have confidence in your standing and your idea, then sarcasm is simply getting in the way, because it undermines both.”
Seth Godin
“All true musicians can get along; it’s people who can’t get along.”
Philip Toshio Sudo, Zen Guitar (Page 68)
“When things fall apart, make art. Carry this spirit through to every area of your life.”
Philip Toshio Sudo, Zen Guitar (Page 54)
“In this dojo, you must develop comfort in good habits. You need not try to change everything you find wrong with yourself. Start with one new habit: Do one thing the right way one time. When the next moment comes, make the same commitment. If you do this, the bad habits will take care of themselves.”
Philip Toshio Sudo, Zen Guitar (Page 41)
“Learn to identify quality and appreciate anything that’s well made, wherever you find it. Look deeply into the spirit that goes into making an item of quality—the care, the precision, the attention to detail. Incorporate that spirit into your work in this dojo. Anything you set out to make—music, love, a bookshelf, a meal—make as well as you can. To do otherwise is spiritless.”
Philip Toshio Sudo, Zen Guitar (Page 28)
“While it’s true that in some schools a student formally graduates from one belt level to the next, in the Zen Guitar Dojo there is no such graduation. Students here receive one belt and one belt only: the white belt. Those who put in the time, training, and effort will find their belt getting so soiled that eventually it turns black of its own accord. Only then will they have achieved black-belt status.”
Philip Toshio Sudo, Zen Guitar (Page 18)
“Treat your discipline like a blade and the promises you make to yourself like a whetstone. Each time you keep one of those promises, you get to run that stone along the edges of your blade. You don’t sharpen that blade in a single setting. Like all good things, it takes time. It must be slow. It must be meticulous. It must be thoughtful. It must be tender. This is how you develop discipline, by keeping the promises you make to yourself––day after day after day.”
Cole Schafer
“The great crime novelist Raymond Chandler set aside four hours each day where he had to be completely alone. During his solitude he gave himself permission not to write if he wasn’t feeling inspired. However, if he chose not to write, he had to sit in his writing chair and do nothing. Eventually, Chandler would become so goddamn bored doing nothing, he’d to write.”
Cole Schafer
“Askida Ekmek is an ancient Turkish tradition that translates to ‘bread on the hook’. When purchasing a loaf of bread from a baker, the customer may choose to purchase a second loaf for a stranger in need. The baker will then bag this second loaf and hang it from a hook in the bakery. Later in the day, someone short on money will ask ‘Askida ekmek var mi?’ or ‘Is there bread on the hook?’ and the baker will give them a loaf for free. To get where you are today, others before you have left bread on the hook. Once you are established in your career and secure in your finances, its your responsibility to do the same.”
Cole Schafer
“Beginning students often ask, ‘How long will it take me to learn the Way of Zen Guitar?’ My answer is, as long as you live—that short. Your playing may progress enough to impress your friends in a year’s time, perform onstage in two years, or turn professional in three. But if those are the ends you seek, your concern is not Zen Guitar. The Way of Zen Guitar is learned day by day, minute by minute, second by second, now to eternity. There is no faster way.”
Philip Toshio Sudo, Zen Guitar (Page 17)
“Healing does not erase the past, and the point of healing is not to forget what has happened. Old memories from hard moments may come up even after deep healing has taken place, but what shifts is how we react to them when they arise. If the intensity of the reaction is decreasing, then real progress is being made. This has nothing to do with suppressing the reaction; it is just a measure of what is actually happening in the mind, It is possible to feel your truth without getting consumed by it or letting it control your behavior.”
Yung Pueblo
“Most people walk the earth unaware that they are not seeing with their eyes. Instead, they are seeing with their emotions, and often these emotions are just the echoes of their past hurts. Many fall into cycles of projection where they are taking their inner roughness and emitting it out into the world. Deep healing and emotional maturity begin when you turn your attention inward. The ability to see yourself as you move through the ups and downs of life, without running away or suppressing your feelings, enhances your understanding…”
Yung Pueblo
“Love, which more than any other emotion exists in all four dimensions, is impossible without the gift of time. It cannot exist amid haste and confusion; or between people who parcel their affection into short periods. The most impassioned actions and assurances, when punctuated by days of coldness or distraction, are as puny in their own way as limp handshakes and pats on the head. We love only when we love across time, when love offered is love remembered and love promised.”
Robert Grudin, Time And The Art Of Living (Page 186)
“She carried about her that best of grandmotherly atmospheres—a sense of amplitude in Time. No hurry ever came near her. A whole series of episodes in my childhood show her peacefully reading, or dressing, or brushing the long white hair that could still touch her knees, while a babel of agitated voices urged departing carriages or trains. She always had a book in her hand and never seemed busy; she would put it down and her arms would open to enclose any human being, but particularly a child, who needed refuge there; what she gave was affection pure and simple, deliberately free from wear and tear of understanding or advice.”
Freya Stark, Traveller’s Prelude (via Time And The Art Of Living: Page 186)